Eşref Paşa’nın Âkif Paşa’ya naziresi “Kaside-i Adem” ve “Adem” mefhumu üzerine
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Dosyalar
Tarih
2018
Yazarlar
Dergi Başlığı
Dergi ISSN
Cilt Başlığı
Yayıncı
Artvin Çoruh Üniversitesi
Erişim Hakkı
info:eu-repo/semantics/openAccess
Attribution 3.0 United States
Attribution 3.0 United States
Özet
Çağlardan beri “adem (yokluk)” fikri edebiyatımızda önemli bir yer tutmaktadır. Klasik Türk şiirinde çeşitli konular içerisinde sıklıkla ele alınır. Ancak müstakil olarak ve ilk defa yokluk mefhumu Âkif Paşa’nın “Adem Kasidesi”nde işlenmiştir. Döneminde derin yankı uyandıran bu kasideye çeşitli nazireler yazılmıştır. Eşref Paşa’nın “Kaside-i Adem” adlı kasidesi de Âkif Paşa’nın eserine yazılmış bir naziredir. Âkif Paşa, kasidesinde, hayata karşı bezginlik içerisindedir. Beklentilerine karşılık bulamamış, durum onu karamsarlığa itmiştir. Bu nedenle mutsuzdur. “Adem” fikri ve anlayışı bir kurtarıcı olarak karşısına çıkar. Şair, mutlu olamadığı dünya hayatından kurtulmanın çaresinin hiçlik olduğu kanaatindedir. Eşref Paşa ise, dünya hayatından şikâyet etmez. Ancak tasavvufî anlayışı bakımından; hayatın geçici olduğunu, dünyanın süslü ve aldatıcı özelliği ile bir serap ve hayalden başka bir şey olmadığını düşünür. Dünya hayatı dışında sonsuz bir hayat sunan ve mutlak bir hakikat olan “ademiyet” mefhumuna yönelir.
Down through the ages, thought of "adem (absence)" has had an important place in our literature. It is frequently discussed in various topics of Classical Turkish poetry. But independently and for the first time, the notion of “adem” was handled in “Qasida Adem” of Akif Pasha. Various nazires (parallels) were written to this qasida which create a profound influence during its time. Esref Pasha's "Qasida Adem" is a nazire which is written for Akif Pasha's work. Akif Pasha is in frustration and tedium in his qasida. He couldn’t have found answers to his expectations, and this situation has pushed him into ambivalence. That's why he's unhappy. In this case, the sense and consciousness of "adem" comes up as a savior for him. The poet considers that the nothingness is remedy of salvation from the world life which is the reason of his unhappiness. Esref Pasha, on the other hand, who wrote the work "Qasida Adem" as a nazires to Akif Pasha's odes, does not complain about world life. However, in terms of mysticism, he thinks that life is temporary, that the world is nothing more than a fancy and deceitful feature, a mirage, and a dream. The world is oriented towards the notion of "ademiyyet (nonexistance)", which offers an eternal life outside of life and is an absolute truth.
???? ????? ???? ?????? ????? ?? ????? ??????. ??? ?? ????? ?? ????? ????? ?? ????? ?????? ????????. ??? ??? ????? ????? ?????? ????/????? ??? ?? "????? ?????" ????? ????. ???????? ?? ????? ???? ??????? ????????? ???????? ??? ??????. ?? ??? ????? ????? ????? ???? ???? ????? ?????? ???. ??? ???? ???? ????? ??? ????? ????? ?? ??????. ????? ?? ????? ??????? ?? ??????? ??? ?????? ??????? ???? ?????? ??? ??? ? ?????? ?????? ??? ?? ???? ???? ?????? ?????? ?? ????? ?? ?????? ???? ?? ???? ?? ?????? ???? ????? ????. ??? ???? ???? ???? ?? ? ?? ?? ?? ?????? ??? ??? ??? ????? ?? ?????? ?????? ????? ??????? ????? ?????? ????? ??? ?????? ??????? ???? ??????? ???????.
Down through the ages, thought of "adem (absence)" has had an important place in our literature. It is frequently discussed in various topics of Classical Turkish poetry. But independently and for the first time, the notion of “adem” was handled in “Qasida Adem” of Akif Pasha. Various nazires (parallels) were written to this qasida which create a profound influence during its time. Esref Pasha's "Qasida Adem" is a nazire which is written for Akif Pasha's work. Akif Pasha is in frustration and tedium in his qasida. He couldn’t have found answers to his expectations, and this situation has pushed him into ambivalence. That's why he's unhappy. In this case, the sense and consciousness of "adem" comes up as a savior for him. The poet considers that the nothingness is remedy of salvation from the world life which is the reason of his unhappiness. Esref Pasha, on the other hand, who wrote the work "Qasida Adem" as a nazires to Akif Pasha's odes, does not complain about world life. However, in terms of mysticism, he thinks that life is temporary, that the world is nothing more than a fancy and deceitful feature, a mirage, and a dream. The world is oriented towards the notion of "ademiyyet (nonexistance)", which offers an eternal life outside of life and is an absolute truth.
???? ????? ???? ?????? ????? ?? ????? ??????. ??? ?? ????? ?? ????? ????? ?? ????? ?????? ????????. ??? ??? ????? ????? ?????? ????/????? ??? ?? "????? ?????" ????? ????. ???????? ?? ????? ???? ??????? ????????? ???????? ??? ??????. ?? ??? ????? ????? ????? ???? ???? ????? ?????? ???. ??? ???? ???? ????? ??? ????? ????? ?? ??????. ????? ?? ????? ??????? ?? ??????? ??? ?????? ??????? ???? ?????? ??? ??? ? ?????? ?????? ??? ?? ???? ???? ?????? ?????? ?? ????? ?? ?????? ???? ?? ???? ?? ?????? ???? ????? ????. ??? ???? ???? ???? ?? ? ?? ?? ?? ?????? ??? ??? ??? ????? ?? ?????? ?????? ????? ??????? ????? ?????? ????? ??? ?????? ??????? ???? ??????? ???????.
Açıklama
Anahtar Kelimeler
Klasik Türk şiiri, Adem Kasidesi, Âkif Paşa, Eşref Paşa, Nazire, Classical Turkish Poetry, Qasida Adem, Akif Pasha, Esref Pasha, الشعر التركي الكالسكي, عاكف باشا, قصيدة العدم, أشرف باشا, القصيدة المماثلة
Kaynak
Akademik-Us İlahiyat Araştırmaları Dergisi
WoS Q Değeri
Scopus Q Değeri
Cilt
2
Sayı
1
Künye
Uzun, A., (2018), "Eşref Paşa’nın Âkif Paşa’ya naziresi “Kaside-i Adem” ve “Adem” Mefhumu Üzerine". Akademik-Us 2(1), 1-31 .
